Spoiler warning! This article contains plot details about an upcoming episode. |
The Devil's Work is the first episode of the twenty fourth series of the popular ITV crime drama Midsomer Murders.
Synopsis[]
The death of an ancient estate's patriarch leads to rivalry and murder when his rebellious son plans to sell it off, outraging his siblings.
Plot, Part 1[]
At the chapel on Stourwick Estate, hymns are being sung for the funeral of Henry Shirewell. Francis Shirewel gets up to speak in the absence of his elder brother, Lucian.
In his pottery studio, Lucian Shirewell drinks from his flask and works with clay on a statue. Mozart's "Dies Irae" is playing in the background. Jordana Linsbury watches him from somewhere above. Lucian gets up and strides to the chapel. As Francis is speaking, Lucian says “You were always such a brilliant liar, Francis.” Lucian approaches the coffin and shakes it to make sure “he's actually dead.” Ursula Shirewell gives Lucian a rose and tells him, “It's not too late to make your peace, Lucian.” Lucian stabs the stem of the rose into the top of the coffin, “May you rot in Hell!,” he yells. The crowd gasps.
At the Barnaby home, DCI John Barnaby walks in to find his wife, Sarah Barnaby, measuring Betty Barnaby for a costume. (Betty would be about 10 by now.) “Betty's class are having an Elizabethan day. They've got to go in costume,” says Sarah. Betty has her heart set on Queen Elizabeth’s attire. Barnaby says, “I see one tiny flaw in your plan. You can't sew.” Sarah replies, “Well, I've always liked a challenge. That's why I married you.”
At Stourwick Estate, the family comes together to meet with the lawyer, Justin Inkerman. Jordana tries to come in as well. Francis says No, the meeting is for family only. Jordana says “She's not family, referring to Sadie Rowcroft. Sadie says, “As good as.” Justin Inkerman encourages the family members to come into the meeting room. Lucian says to Jordana, “I do apologize for my family's appalling rudeness. I can assure you, it will never happen again.” The family goes into the meeting room and closes the door. Jordana looks around the outer room and gloats. “I’m going to enjoy living here,” she says. Sadie smirks. “You do know we still sleep together? Jordana replies, “Lucian's a free spirit. And you're just a fleeting amusement. Circumstances alter cases, so...” She rubs her belly. “Oh, no wine for me.”
In the meeting room, Francis is sitting in Lucian’s chair. Lucian indicates that he must move to a different place. Francis moves to a chair beside his wife, Davina Shirewell.
Elsewhere, Lila Blundell remonstrates her husband Gideon Blundell, who didn’t attend the services for Henry Shirewell that morning. “You should have been there, Gideon.” Gideon says, “I’ve never been a hypocrite. I'm not going to start now.” Lila replies, “Tenants of the estate are expected to pay their respects.” Gideon says, “Got none to pay. Do you think old man Shirewell would have come to my funeral? Where's Caleb? We got fencing to do.”
In the meeting room, Lucian says, “You all thought you could prevent me from inheriting, but I'm afraid the little plan you cooked up with father isn't legally binding.” Francis says, “Well, the trust was set up by you, Mr. Inkerman, and it was agreed I would run the estate in perpetuity. My father signed the document in front of you. Mr. Inkerman replies, “On the understanding that this was agreed by you all.” Lucian continues, “This letter of wishes confirms my right to inherit the whole shebang unless I choose to decline, which, of course, I won't. Mr. Inkerman says, “In simple terms, the traditional order of inheritance cannot be altered without the consent of all trustees.” Lucian says, “And now Stourwick is mine to do with as I see fit, I've made a decision. The Shirewells' tenure ends with me.” Francis says, “What does that mean exactly?” Lucian says, “Well, it means the estate will become home to a free-thinking artists' community. Long Cross Farm will be converted into a solar park.”
Ursula says, “But the Blundells have farmed here for generations.” Lucian says, “Oh, it's not just them, Ursula. The dower house will be an artist's retreat and the chapel will be converted into a gallery and shrine for my work. Ursula says, “You can't do that. It's consecrated.” Lucian says, “Well, I'll deconsecrate it. Don't worry. There's still a chapel in Toulouse. That's where you'll be moving to, by the way. And Francis and Davina, you'll be moving to the flat in Marylebone.” Francis and Davina scoff. Francis says, “And how am I to manage the estate from there?” Lucian says, “Oh, sorry. Didn't I tell you? You don't work here anymore, so you won't be managing anything.” Mr. Inkerman passes Francis a piece of paper. Francis says, “What's that?” Mr. Inkerman, ‘Your eviction notice.”
Later, Jordana goes with Lucian to the yurt which is on the front lawn of Stourwick Estates. They are laughing. Sadie watches them and crushes Jordana’s scarf between her hands.
In the house, Davina says, “So the yurt and totem poles were just the start of his desecration. What are you going to do about it?” Francis replies, “It seems our hands are tied.” Davina says, “Your father wanted you to be the guardian of his legacy. We have to find a way of making that happen.”
That evening, an owl is hooting. Someone comes by the yurt. Jordana gets up and opens the door but doesn’t see anyone. Then there is a knock on the door. Jordana looks outside and sees a wrapped package on the ground. It is a dead raven. She screams.
The next morning, Barnaby brings Winter a double espresso. Winter reports that the phone has been ringing all morning. He has received a call about the late Henry Shirewell. His family now suspect foul play. His GP reported that he died of natural causes. However, a document has since been discovered, allegedly written by Henry Shirewell, in which he claims that his life is in imminent danger. This prompted his family to request further investigation, which has now been authorized. The Shirewells are a prominent local family. They've lived on the Stourwick Estate since the 16th century. Henry Shirewell's wife, Clarissa, had a history of mental instability and alcoholism and died after a tragic fall 40 years ago. There are two sons and a daughter who both still live on the estate, and the eldest son, Lucian Shirewell, is an acclaimed ceramicist. His work is controversial, but highly regarded. Barnaby views the article on Winter's laptop on Lucian.
The detectives arrive at Stourwick Estate. It consists of a huge mansion with a white tent- yurt- in the front yard and two totem poles on either side. Ursula Shirewell greets the detectives and they go into the home, where Francis and Davina are waiting. Ursula found the note in her father’s bedside table. Ursula says her father’s mental state had been better and he seemed to have more energy. They all had hoped that he would rally. Lucian and his father had been estranged for many years. Ursula gave them time alone and when she came back, Lucian was gone and their father was dead.
Outside, Barnaby runs into Caleb Blundell, who is holding a tray of clay pots to take to the kiln. Barnaby goes inside the studio to speak to Lucian. Barnaby stops the record from playing and introduces himself. Lucian is seated at his pottery table and offers Barnaby a drink. He says, “I’m guessing they told you I killed my father?” Lucian says he “wanted his father dead as long as I can remember...but no, I did not have that pleasure.” They were estranged because “He destroyed my mother's life and set out to destroy mine. I had to cut him out in order to survive.” Lucian went to see him on the day he died so that he could “tell him how much I despised him before it was too late.” Lucian also says his siblings, “conspired with our father to deprive me of my birthright. Accusing me of patricide is the logical next step. Their attempt to disinherit me from Stourwick failed. Turns out they can't do that legally without my permission. But if I was serving a life sentence for murder, then they would get what they wanted. But they'll never be able to prove it, because it's not true.”
Winter meets Barnaby outside. He reports that Henry Shirewell's doctor says there was no evidence of foul play. Ursula Shirewell was alarmed when she found that his pillows and bedding were in disarray, but apparently, a patient can experience a sudden surge of energy just before they die, which would seem remarkable if they've been immobile for some time. Barnaby tells Winter that Lucian Shirewell denies any involvement. He claims he's being set up by his siblings to stop him inheriting...their word against his. Winter states that there is someone outside of the family that helps out at the house part time, and they were working the day that he died... a Sorrel Watkins. The detectives head to go talk to her.
In the inn, Sadie says to Lucian, “You've not messaged me.” Lucian says, “I just need to know that you've got my back.” Sadie replies, “Why should I when you don't have mine?” Lucian says, “There've always been other women. You know the deal.” Sadie says, “Jordana seems to think that she's moving into the house, that you're going to be a family.” Lucian says, “Well, that's never going to happen. Look, you've got the cottage because I need you close to me. I always will, no matter who is in my life. Sadie says, “I've come too far to give up on you now.” Lucian smiles at her and holds her hand. He spies the detectives approaching outside. “What do the police want? I've answered too many questions for one day.” Lucian hides around a corner. The police ask to see Sorrel Watkins. Sadie directs them to the snug in the inn. Lucian listens.
Jordana walks into her yurt and sees a doll hanging from the ceiling wrapped in her scarf.
Sorrel explains that she just does the cleaning at the estate. She doesn’t think that Henry could have written a note- he didn’t seem capable to her. Sorrel mentions that she saw Davina take something from her bag and put it in the bedside drawer. Sorrel writes notes in a notebook because wants to be a writer. She shows her journal to the detectives.
In the yurt, Jordana shows Lucian the doll hanging from the ceiling. She asks to stay in the studio just for one night. She doesn’t feel safe in the yurt. Lucian says maybe it's time she found somewhere else. “I need you to protect me, Lucian,” she says. Lucian scoffs- “From what? A dead bird, a papier maché doll? Someone's playing games.” Jordana says, “Please, Lucian. You said that you loved me, that it felt different this time. What if I were pregnant?” Lucian replies, “I wouldn't want to inflict the life I've had on another generation. No. It ends with me.” Jordana shows him the pregnancy test and says, “maybe it’s too late for that.” Lucian yells, “I don't believe this! (Glass shatters). I told you I don't want a child! How could you be so stupid?”
The detectives confront Davina Shirewell. She admits that she wrote the note and feels that her father-in-law was killed. Francis walks in. Barnaby says, “What you believe is of no consequence without evidence.” Davina says, “Well, then we must exhume the body.” Winter replies, “That would require a coroner's instruction- As yet, we have no grounds.” Barnaby says, “You've already wasted enough of our time, Mrs. Shirewell.” The detectives leave. Francis snaps at Davina. “Why on earth didn't you tell me what you were up to?” Ursula walks in, “What did the police want?” Francis says, “Turns out the note was not written by our father, but by my wife. Davina says, “Someone had to do something.” Francis, “All you've done is draw negative attention our way. We appeal the will on the grounds that Lucian is mentally unstable, paranoid, delusional, like our mother, and therefore unfit to inherit. But we have to do it by the book.”
Caleb Blundell meets with Sorrel in the inn. He says, “So the family think the old man was murdered? Sorrel says, “Oh, they didn't say, but they must be suspicious. Caleb says, “Which makes Lucian prime suspect. He never hid how much he hated his old man, but...he'd never do anything like that.” Sorrel asks Caleb when he is going to tell his parents something. He says he is a coward and is afraid of hurting them. Sorrel tells him to go home and tell them.
Plot, Part 2[]
MURDER 1: As Caleb is walking home he hears a twig snap. He asks who is there. Cue creepy music. There is rustling. In the foreground, a body lies on the ground under a totem pole.
Winter reports to Barnaby, “Victim's Jordana Linsbury, Lucian Shirewell's latest muse. The gardener found her on his way to work, Fleur says, “It looks like she tried to pull herself up on one of the guide ropes supporting the totem pole. It came away and the pole fell, striking her right temple. She died somewhere between 11 pm and 2 am. The victim displays signs of carbon monoxide poisoning. Cherry red lips, peripheral cyanosis, retinal hemorrhages. A tox report should give us some answers. Oh, and this was on a table beside the bed.” Fleur passes them a plastic bag with the pregnancy test in it.
Francis comes up and reports that Lucian and Jordana had a row yesterday afternoon just after 1:00. Francis says he felt sorry for Jordana. “They all think they're going to be the one to change him. Of course, it invariably ends like this. The man's a psycho…(Lucian) borderline lunatic. Not his fault, I suppose. Insanity runs in the family on our mother's side. But if there's one thing he does care about, it's his own personal freedom, and he will do anything... and I mean anything...to protect it.”
Barnaby interviews Lucian in his studio. Lucian says, “When bad things happen, work is my only salvation. My mother taught me of the joy of creativity, its power to take you from the darkness into the light. But Jordana's accident is something I can never come to terms with.” Barnaby says they think it could have been murder. Lucian admits, “My family didn't like her living in the yard, and they can be pretty extreme, but murder? Even they have their limits. Barnaby, “Did she have any other enemies?” “Sadie saw her as a rival, my former assistant and lover of over 20 years.” Barnaby, “So Miss Linsbury was just one of your lovers?” Lucian says, “I don't believe in monogamy, Inspector, but that doesn't diminish the love I have for Sadie. She just has difficulty controlling her jealousy at times. Barnaby, “Maybe she had good reason. Did Sadie know that Ms. Linsbury was pregnant?” Lucian says, “I've never wanted children, Inspector, and I told her I never would.” Lucian tells Barnaby he was at the Inn with Sadie last night. She works there.
Back at the station, Winter tells Barnaby that Forensics reported the stove in the yurt hasn’t been used for months, so there's no obvious source of the carbon monoxide. Also Tech pulled images from Ms. Linsbury's phone of the dead raven and the doll in the scarf. Apparently Jordana told Ursula Shirewell that she felt unsafe, that she thought someone was stalking her. Lucian Shirewell told her not to call police. He thought it was just someone playing games and named Sadie as chief suspect. Caleb Blundell claimed he saw Ms. Rowcroft close to the scene at about 11:20 p.m. He lives at the farm and works part time for Lucian. Lucian admitted that he and Ms. Linsbury had argued earlier in the day and that he ever wanted children. Ms. Linsbury wasn't happy about it, which correlates with Francis Shirewell's statement. Winter says perhaps Sadie feared Lucian would change his mind once the baby was born. Barnaby says, “Never underestimate the destructive power of jealousy, Winter.
At the lab, Fleur reports the autopy findings. “This case takes me right back to Pablo. Peruvian potter with the hands of a god, immortalized my breasts in porcelain, sold them to a Saudi prince for a small fortune.” Fleur chuckles and shows a photo to Winter. “Truly magnificent. I think you'll agree.” Winter looks embarrassed. Fleur continues, “The victim's blood contains high levels of both carbon monoxide and hydrogen fluoride, a gas produced when certain clays and glazes are fired in a kiln.” Barnaby says, “Lucian Shirewell said there was a firing last night.” Fleur says, “Carbon monoxide starves the body of oxygen. At high enough concentrations, the victim suffocates.” Jordana managed to make it outside by which time, the damage had already been done. Before she died, she'd have experienced weakness, dizziness, disorientation. In a state of confusion, she crawled out of the yurt, destabilized the totem pole in an effort to get to her feet, and died. Barnaby mentions that Sadie Rowcroft was Lucian's studio assistant back in the day, so she'd be aware of the toxic gases produced in a kiln. How were the gases delivered to the yurt? Fleur says, “Don't ask me. That's your job. But there is one more thing. Jordana Linsbury wasn't pregnant. In fact, her medical notes reveal she had a condition that made her infertile. She faked the pregnancy test with a felt tip pen.
In the Blundell home, Gideon is furious at the eviction notice. The farm isn't just their livelihood, it's their home! Gideon was born on the farm, and so was his father and grandfather. It's Caleb’s birthright! Lila says, “What choice do we have?” Gideon responds, “There's always a choice.”
Winter confronts Sadie at her house He picks up a ball of twine. Winter tells Sadie that someone left a dead raven outside the yurt and its feet were bound with twine identical to the blue twine. “It was also tied around the neck of an effigy made in the image of Ms. Linsbury.” Sadie says, “So? You can buy that anywhere.” Winter says, “Lucian Shirewell said that you were jealous of Ms. Linsbury, that he suspects you of wanting to cause her harm. Our witness insists that they saw you close to the yurt around the estimated time of Ms. Linsbury's death. Were they mistaken, Ms. Rowcroft?” Sadie relents and says, “Jordana said she was going to have Lucian's child. I didn't want that to happen. I believe in the power of the universe, the dark and the light.” Winter, “So you decided to invoke the power of the dark to end her pregnancy?” Sadie says, “I needed to see Jordana face to face. It was the only way to make things right. But when I got there, she was already dead. I panicked. I ran and tripped. There was a hose across the path. I nearly broke my wrist.” She shows Winter the brace around her wrist.
Gideon Blundell comes to the studio and confronts Lucian. Lucian tells him that he will be well compensated for the loss of his farm. Gideon yells that nothing can compensate him for losing his family home, not to mention 200 years of history. And what is he supposed to say to Caleb? He's expected to take over Long Cross since the day he was born. Caleb comes in the door and says, “I don't want it, Dad. Lucian's been letting me help out for a while now, and it's... it's where I feel happy. I know I belong. I've never felt that way about farming. Lucian says, “Caleb's a very talented young man. I've asked him to be my studio assistant.” Gideon says, “So you're not just taking my farm, you're taking my son and all. Over my dead body.” He runs out of the studio.
In the house, Lucian starts to set up his artwork on pedestals around the room. Francis says, “Have you no respect? Jordana's only been dead a few hours.” Lucian replies, “She'd want me to carry on. She couldn't wait to give this anachronistic monstrosity a facelift. Like it or not, my work is highly sought-after. What have you ever done for this family except leech off it?” Outside several people are walking up the driveway. Francis asks who they are and Lucian tells him he invited the local community for an open afternoon. Ursula walks in and says, “Not the chapel, please, Lucian.”
Outside, Winter and Barnaby talk. Winter says, “Ms. Rowcroft said that she tripped on a hose in the path. Maybe that's how the gas was delivered.” Barnaby tells him to get uniform to do another search.
Sarah and Betty walk up and Betty runs up to Barnaby. Sarah says, “It was an alert from The History Society about an open afternoon. Stourwick is the perfect example of an Elizabethan house, so I thought Betty should see it.” Barnaby says, “We're, erm, investigating rather a serious incident in the grounds, so I'd rather you took her home.” Winter says, “Sir, the scene is out here, and it's fully secured. If it's just the house, then I can keep an eye on her. We'll have a quick look?” Sarah says, “Please, John? She's dying to see the priest hole. We might not get another chance.” Barnaby replies, “Okay, but I'm coming with you.”
Winter heads into the house and stops to straighten his tie in the mirror. He then hears a scream. In the chapel, Ursula laments, “It's all gone. Crucifix, chalice, pattern, ciborium. Lucian agreed it would be kept locked, but when I came down for afternoon prayer, the door had been forced.” Winter calls for backup.
In one room, Sarah is telling Betty, “…so the priest would hide in that tiny space for days, sometimes weeks at a time.Some of them died of starvation or lack of oxygen.” Barnaby comes out of a door and says, “What about cramp?” Sarah continues, “There have always been rumors of another priest hole somewhere in the house, but it's never been found. And there's a ghost who wanders the attic, clanking their chains. Wooo oooo.” Betty says, “Can we try and find them?”
Winter comes in and says there's been a break-in at the chapel. Everyone is asked to leave. Winter says they were Religious artifacts that been in the family for centuries. They’d be worth a fortune.
Barnaby says, “Betty, we need to leave now.” Sarah calls, “Bet... Betty? Betty? Betty? They go to search for Betty. Barnaby goes to look through the priest’s hole.
Elsewhere, Ursula is sobbing. Francis yells, “Shut up! Sniveling. Beginning to grate.” Ursula says, “I’m sorry, Francis, but those sacred objects haven't left the chapel since it was built. They're irreplaceable.” Francis says, “We all know who's to blame.” Lucian walks in. Francis says, “Ah, here he is, the hero of the hour. I told you we needed security.” Lucian says, “I’m not interested in scoring points, Francis. I just need the keys to the estate office.” Francis says, “Why?” Lucian says, “The police need to look at the house insurance inventory.” Francis looks at Davina and says, “Alright, I'll...I'll handle that. You're utterly clueless when it comes to running the estate.” Lucian puts out his hand, “Keys.” Francis laughs and passes the keys. Ursula gets up. “I'll see if the police…” Francis yells, “Sit down! God's sake.” Ursula says, “But I might be able to help.” Francis says, “The police have got a job to do. They don't need you wittering on.” Davina interjects, “Just let her go, Francis.” Ursula leaves. “We've got to do something,” says Davina.
Sarah and Barnaby continue to search for Betty. Sarah calls, “Betty?” Barnaby calls, “Betty? She must be here somewhere.” Sarah says, “But what if she's not?” Barnaby says, “Has she still got your phone?” Sarah replies, “Yes.” She continues to call out while Barnaby calls the cellphone. They hear ringing and Sarah spies a noice coming from the wall. She opens the priest’s hole. Betty is on the other side. Sarah and Betty hug. Sarah says, “Oh, God. Oh, darling, come here.” Betty says, “I wanted to find the ghost.” Barnaby says, “It's okay. No harm done.”
Lucian looks through file cabinets and slams them. Ursula comes in with an inventory from her father’s desk. Lucian says, “Most of the valuable items have already been sold. Did you know anything about this?” Ursula says “No. You must have got it wrong.” Lucian tells her he needs the password to the computer.
Barnaby meets Winter in the hall and tells him Sarah has taken Betty home. Barnaby asks what is the latest on the theft? Winter reports that no witnesses have come forward, and the visitor search gave them nothing. Barnaby says impatiently, “The house was full of people. Someone must have seen something.” Winter says, “Why don't you get off, sir?”
In the basement, Francis and Davina are going through silver in a box. Francis says, “The silver collection and the Hunt tapestry have the highest value, so let's get these out first.” Davina says, “I'll bring the car around.” Then she sees Lucian standing in the doorway. “So this is where you keep your stash.” Francis says, “This estate requires a huge amount of money. If it doesn't go through the books, we avoid tax.” Lucian says, “The money doesn't go into the estate's account. It goes straight into yours.”
Francis says, “Yes, I can explain.” Lucian says, “I also found the file of so-called evidence you're planning to use to prove that I'm unfit to inherit on grounds of insanity so you can get what you want, like you always have. Well, I'd rather kill you than let that happen. All that sanctimonious lecturing about me destroying Stourwick, and you're planning to sell it the minute you win your case. I found those files on the computer. If I am mad, I can't be held responsible for my actions.” Lucian looms in on Francis, who backs up. “Don't think this is the end of it, Frankie. I'll show you what real madness looks like.”
Down the hall, Ursula listens in. Davina says, “You said you had everything covered.” Francis says, “How was I to know Ursula would give him the password?” Davina says, “Because you didn't know we had anything to hide? You're even more stupid than I thought. If he goes to the police, we're finished. Or maybe we already are.” She walks off in disgust and leaves the building. Gideon Blundell watches her leave from the trees. A bird cries out.
Francis puts on a record of Mozart's "Requiem in D Minor,” pours himself a drink and sits down at a table covered with papers. A door opens behind him.
At home, Barnaby comes downstairs. He says to Sarah, “Betty doesn't want to talk about it, but she seems fine. That was quite a fright she gave us.” Sarah passes him a glass of wine. Sarah says, “Yeah, I think she was even more scared than we were. At least she won't runoff again in a hurry.” Barnaby says, “Cheers to that. (They click glasses). How are you getting on with the costume? It's not long to go now until the Elizabethan Day.” Sarah says, “Yeah, really well, actually, I think you'll be surprised.”
Plot, Part 3[]
MURDER 2: At the Stourwick Estate, Davina goes to look for Francis and finds him sitting in a chair with a mask on his face, blood dripping. She screams.
The detectives show up to the crime scene. Fleur points out, “Not a pretty sight, gentlemen, but better than it was. We found this plunged into his eye with such force, it fractured his skull.” She shows Barnaby a tool in a bag. Barnaby says, “I saw Lucian using a similar tool in his studio. So what was the actual cause of death?” Fleur says, “It's not entirely straightforward, but looking at the lesion across his throat, I'd say someone's surprised him from behind and garroted him with a medium-gauge wire, such as one would use in cheese..” Winter says, “or clay.”
Fleur continues, “The victim lost consciousness, giving the perpetrator time to pose him at the table, place the ceramic face over his, and plunge the blade into his brain. Classic Gothic horror.” Barnaby says, “Sir Francis Shirewell's death was carefully staged. Why?” Fleur suggests, “Some kind of punishment? It's a pretty humiliating way to go.” Barnaby asks, “Who found the body?” Winter replies, “His wife. She's waiting for us.”
The detectives go to talk to Davina. She says, “Of course it's Lucian.” Winter asks, “Do you have any evidence of that, Mrs. Shirewell?” Davina says, “He threatened Francis in the cellars...became very aggressive. It was clear he meant to do him harm.” Barnaby asks, “Were there any other witnesses to this?” Davina says, “Sadly, no,” and wipes her nose. Ursula pipes up, “I... I was there too.” Davina says, “Were you? You were spying on us?” Ursula says, “I heard voices in the cellar. I came down to see what was going on. When Francis and Lucian fight, it can get very intense. I was too much of a coward to reveal myself.” Winter asks, “What were they fighting about?” Ursula says, “Lucian found out that Francis was going to appeal the will on the grounds of Lucian's mental instability. His behavior was to bear this out.” Barnaby asks, “In what way?” Ursula says, “He threatened Francis physically, then let him go, but he said this wasn't the end of it...that he'd show him what true madness looked like.” Davina says, “Lucian murdered his father then poor Jordana, and now Francis. Well, you better watch your back, Ursula. He'll be coming for you next.” Winter’s phone chimes. There’s been a development.
Fleur has found a hose in the river and is dragging it out as the detectives arrive. Barnaby says, “I thought uniform checked out this area.” Winter replies, “The hose wasn't visible until the water level dropped.” Barnaby says, “Looks like you're wrangling a giant eel.” Fleur says, “Makes a change from wrangling the deceased.” Barnaby says, “Glad we're keeping you on your toes.” Winter remarks, “Those must weigh a ton. You'd need a transport to get them this far from the scene.”
Fleur says, “We found distinctive tire marks by the weir. Excellent disposal point, one would think. The river was in spate that night due to recent heavy rainfall.” Barnaby asks, “So what happened?” Fleur says, “Got snagged in this tree only 200 meters downstream. Terrific bad luck.” Barnaby asks, “What are the chances of recovering any DNA evidence?” Fleur says, “Slim to zero. DNA and water aren't the best of friends, but we'll give it a go.”
At the Blundell home, Lila says, “You're going to have to let Caleb decide this for himself.” Gideon replies, “And let him regret it for the rest of his life? He's obsessed with that lunatic, same as you were.” Lila says, “That was a long time ago. I have had nothing to do with him since.” Gideon says, “Yeah, don't stop you taking sides with him now, though, does it? 'Cause part of you's still in love with him. You're certainly not in love with me.” Lila says, “Caleb is not a child. He is a man of 19 with a mind of his own. It is his future, not ours.” Gideon says, “I had to do what was expected of me for the good of this family, and so will he.” Lila asks, “Where were you last night?” Gideon says, “Walking.” Lila persists, “Where?” Gideon says, “I don't remember.”
Winter walks up to Ursula, who is gardening. “Ms. Shirewell? I was told I might find you here.” Ursula says, “I always find peace here, even at this time of year. Not quite sure how I'll manage without it. How can I help you, DS Winter?” Winter says, “I was just wondering where you keep your garden machinery... lawnmowers, trolleys, that kind of thing?” Ursula says, “In the old stable behind the greenhouses there.” Winter says, “Is it locked?” Ursula says, “There was no need to lock anything until yesterday. If you need anything else, I'll be here.”
Barnaby goes to talk to Lucian at the studio. Lucian says, “I’ve never been a hypocrite, Inspector. I hated my brother quite openly.” Barnaby says, “Both your sister and sister-in-law claim you attacked him hours before he died, warned him there'd be more to come.” Lucian continues, “Completely true and entirely justified. I found out that my brother had been selling the family heirlooms to a dealer in London and pocketing the cash himself. But they didn't tell you that, did they?” Barnaby says, “No, they didn't. Lucian says, “Or that they were planning to disinherit me on the grounds of me being a basket case? Not because they love Stourwick, but because they want to sell it once they regain control." Barnaby says, “How did that make you feel? Lucian says, “Enraged, but not surprised.”Barnaby says, “Where were you yesterday evening between 9 p.m. and 11?" Lucian says, “I was here in the studio with Caleb. So you see, Inspector Barnaby, it couldn't have been me.”
At the Pub, Sorrel speaks to Sadie, who isn’t working. Sadie says the police charged her with stalking and harassment and Lucian is chucking her out of the cottage. “20 years of love and loyalty.” Sadie promises to get her own back.
Caleb is talking on the phone to the police. He confirms Lucian’s alibi. His mother comes up to speak to him. that's right, Inspector. Lila says, “I… I just wanted you to know that I understand. You have to be true to yourself, Caleb. I wasn't when I was your age, and...I've regretted it ever since.” Caleb hugs his mother.
Winter tells Barnaby that they found a motorized trailer that's a match for the tire prints down at the weir. Forensics are checking it out now, but it looks like it's been power washed. Uniform found a hose connector screwed into the external outlet of the kiln ventilation unit. They've confirmed that it's identical to those joining the lengths of hose that washed up on the shore. So Fleur's hunch was right. The toxic gases that killed Jordana Linsbury came from the kiln. The finance checks came back on Francis and Davina. There are large, regular deposits into their joint account from a London dealer, and the amounts correspond to the value of the items missing from the house. It adds up to over £1 million. Which Davina would inherit, giving her motive, Francis and Davina plotted together to frame Lucian as a madman. If Davina did kill Francis, it would make sense to stage it as if it had been executed by a psychopath to implicate Lucian. Winter says, “Which would tie in with how easily these were discovered by uniform...ceramic wire cutters found in the shrubbery underneath the dining room window. And you were right about this, sir. The object in his eye is a ceramic hole cutter. Lucian confirmed that these and the ceramic wire cutters are missing from his studio.
The detectives go to speak to Davina. Barnaby says, “It's called stealing, Mrs. Shirewell. Davina replies, “Francis worked like a slave for his father for nothing. Everyone thinks people like us are dripping in money, but the truth is, we're poor as church mice. Any spare money had to go back in the estate.” Barnaby says, “Apart from the regular and significant amounts transferred into the joint account you shared with your husband.” Davina says, “I was promised the good life, inspector, a life I was brought up to expect. What were we supposed to do? We could barely afford a decent bottle of Chablis.” Winter says, “Is that why you staged the robbery in the chapel?” Davina says, “No, that had absolutely nothing to do with us.” Barnaby says, “The investigating officers will decide whether or not charges will be brought.” Davina says, “But I've already explained.” Barnaby says, “No one is above the law, Mrs. Shirewell.”
Outside, Ursula is gardening. Someone creeps up behind her and covers her mouth. They struggle and Ursula kicks him and runs away. The detectives come to investigate. Ursula says, “I don't remember their face. I'm so sorry. I'm not being very helpful.” She says they were wearing gloves. She doesn’t think it was Lucian- Lurking in the shrubbery isn't Lucian's style.
Inside the house, Sorrel is scrubbing in the chapel. Lucian comes up behind her. He says, “I'm not here to pray. Francis went straight to hell anyway, so that would be pretty pointless, wouldn't it? I'm turning this old relic into a gallery for my work. Planning a private view.” He touches Sorrel’s face. “You have a fascinating face, Sorrel, exquisite bone structure. How would you like to be immortalized in porcelain?” He rubs his thumb across Sorrel’s cheek. The detectives arrive to talk to him. Lucian says he didn't attack his sister. He did see Gideon Blundell…”I saw him from over here, striding across the lawn. Thought he was coming to berate me about losing the farm. He'd threatened me before, so I was determined to evict him.”
Gideon denies that he attacked Ursula. He does say he wanted to talk to her. “We were together once, Ursula and I, when we were very young. I asked her to marry me, but her father just...laughed in my face, ordered her to cut me out of her life there and then, and she felt like she had no choice but to agree, so...I had to respect her wishes…I was desperate. I had to talk to her before it was too late. I just wanted her to talk to Lucian. She was the only one that could make him see reason. I had to try and do something to save the farm.”
Back at the police station, Winter reports that there has been a total lack of evidence in the chapel robberies so perhaps it was a professional job. The police notified dealers in the area that are likely to be approached, but nothing so far. They have had a call from Sadie Rowcroft withdrawing her alibi for Lucian Shirewell on the night of Jordana's murder. She said that Shirewell told her to lie. Lucian does have an alibi for the night of his brother's death.
Ursula comes by the Blundell’s home to speak to Gideon. He is out but Lila invites her to wait. Lila says, “And I can only apologize for what Gideon put you through. The prospect of losing the farm has driven him half mad. He thought that you might be able to get Lucian to change his mind, but he should never have frightened you like that.” Ursula says, “I’m so sorry. I tried talking to him myself, but he won't listen. But it's not just Gideon who's losing everything he's ever known. I'm being moved to the house in France. You know more than most how ruthless Lucian can be. I know how much you loved him.” Lila says, “But he never loved me, so I just had to make the most of it. I can finally address the elephant in the room. Gideon's never really been happy. Neither of us have...I only started seeing Gideon to make Lucian jealous, but he had already moved on with Sadie, so I suppose we just made the best of it. But it was you Gideon really loved. I've always known that.” Ursula says, “But you have Caleb. It's such a blessing.” Lila says, “Of course, and we're so very proud of him. But he and Gideon are two very different people, always locking horns. I suppose I knew it would come to this one day. I never allowed myself to believe it.”
At home, Barnaby is trying the soup Betty prepared: Whelk and periwinkle stew. Queen Elizabeth's favorite. Barnaby says, “It smells... unusual.” Tastes the soup and says hesitantly, “Well done, Betty. Aren't you having any?” Sarah and Betty laugh. Sarah says, “It's okay. We hated it too. Betty says, “Blech.” Sarah says, “I’ve ordered fish and chips.” Barnaby says, “Oh, thank God for that. Blech. Ew.”
Caleb comes in the pottery studio. He says, “That's everything dipped.” Lucian says, “Get them in the drying room. I want cobalt, manganese and chromium oxides ready on the bench. We'll have to work 24/7 if we're to get these all fired before the private view.” Caleb says, “I had a call from the police. They want me in first thing for an interview, but I can come straight back.” Lucian botches the pot on the pottery wheel. Caleb says, “You need to take a break. You'll burn yourself out. I can handle the firing.” Lucian asks what the police want and Caleb says he won’t say anything. Lucian tells him to keep the doors locked at all times. Lucian goes upstairs to rest.
Plot, Part 4[]
MURDER 3: Caleb places a call and says he can meet someone after he does the first firing. He sets the pot in the kiln and someone slams the door on him and locks him in. Caleb yells and pounds on the door.
The next morning, Winter goes to pick up Barnaby. Barnaby asks if Winter has ever tried whelk and periwinkle stew? Barnaby says, “It lingers in a most unpleasant way.” Winter says, “Not the best time to be sharing a car with you then, sir?” Barnaby says, “For which I can only apologize in advance.”
Sorrel tells the detectives that Caleb called asked her to meet him by the oak tree, but he never arrived. She tried to call him, but he didn’t pick up. Before she went home, Sorrel saw Lucien hurrying across the back fields in the silver suit toward Stourwick Hall.
The detectives go to talk to Lucian. He says Caleb was going to do the first firing. He takes the detectives to where he keeps the suit. He also notices that the dial on the kiln was set high, which Caleb would never do. Lucian was never out in the suit.
Barnaby wonders if someone was waiting for Caleb, someone he didn't realize was here until it was too late? Winter says, “That's too horrible, sir.” Fleur, who has been examining the kiln, says, “It's a rather genius plan, if true. A kiln like this burns at temperatures similar to a crematorium furnace, between 1,000 and 1500 degrees celsius. So if he ended up inside, we'd struggle to prove it. I will be sifting through the ashes for any bone fragments, but burning at that intensity would make any DNA identification almost impossible.”
Back at the police station, Winter tells Barnaby that tech managed to retrieve Caleb Blundell's mobile data, mainly calls from Sorrel Watkins and his parents. Barnaby says, “According to Ms. Watkins, Lucian Shirewell is lying, but if my hunch is right and Caleb Blundell ended up in that kiln, then why would Lucian want him dead? Caleb was his protege.
According to Sorrel, Lucian would do anything for him.” Winter says, “Maybe he heard that Caleb was coming in for questioning and couldn't risk the truth coming out. The station had a call from Sadie Rowcroft. She also says that she saw Lucian heading towards Stourwick in the suit at 8 p.m.” Barnaby says, “Or maybe that's what she needs us to believe. Sadie Rowcroft has lost everything because of Lucian Shirewell...her job, her home, her life partner of over 20 years. We know she's vindictive, unstable. ..What if in a state of desperation, Ms. Rowcroft mistook Caleb for her former lover, pushed him into the kiln, and used the suit as a disguise? Hell hath no fury, Winter.”
Fleur texts the detectives. She’s had a breakthrough. She shows them a sample of Titanium. She says, “We found it in the ash. It's one of the few elements that can survive the cremation process. Caleb Blundell had a titanium joint replacement after shattering his ankle, farm accident. Part of the serial number is still visible here and matches his medical records. I also fast-tracked DNA from glasses we found in his jacket pocket, in case by some miracle, they managed to extract DNA from any of the bone fragments, but that's a far longer process. We already had Lucian Shirewell's DNA on file. Turns out he and Caleb are a match... for father and son.”
The detectives go to tell Mrs. Blundell. Barnaby says, “The forensic investigation revealed something else...something I imagine you already know.” Lila says, “That Caleb is Lucian's son. Yes, I've always known. The older he got, the more like him he became... to me, anyway. He and Lucian were so alike. I knew Lucian never wanted to have children and that Gideon would always be the better father. I tried calling him last night. I had decided to leave Stourwick, and I... I had to tell someone, and there was only one person I felt I could trust.”
The detectives leave and Barnaby says, “That something that we've been missing that connects all our victims, it's just become crystal clear.” Winter says, “Lila Blundell confided about Caleb to Ursula Shirewell?” Barnaby says, “In noble families, succession still passes down the male line. Jordana Linsbury lied about being pregnant with Lucian's child, Francis was Lucian's brother, and when Lila revealed that Caleb was Lucian's son, he had to die, too.
And there's still one person who can prevent her achieving her goal.”
Plot Denouement[]
In the chapel, Lucian is looking at the plaque for his mother and Ursula walks in. Lucian says, “I haven't felt this much pain since Mummy died. Being told you've lost your son on the anniversary of her death, it's almost too much to bear. The son I never knew I wanted.” Ursula suggests a toast to Caleb and their mother’s memory. She and Lucian go down to the wine cellar.
At the Barnaby home, Sarah sees a drawing of Betty’s in which there is a picture of the second priest hole. Sarah looks up a photo online. Betty says the “lady” told her it was a secret. Sarah calls Barnaby and sends a photo of the room. The picture shows Ursula Shirewell's bedroom. Barnaby says, "How did she get out without being seen?" Winter points out a door that is usually bolted from the other side, which is unlocked. Winter spies a half door that the detectives go into.
In the room above the wine cellar, Ursula pours wine into glasses. Ursula says, “This is one of the last bottles of her favorite Chablis. Seems rather appropriate. To poor, sweet Caleb and darling Mummy. May they rest in peace.” Lucian says, “I failed both of them.” Ursula says, “You were a child when Mummy died. I should have protected you, loved you, been the older sister you needed. But I was too weak. You'll never know how much I regret it.”
In Ursula’s room behind the fireplace, Winter finds the stolen artifacts from the chapel along with the suit from the kiln. Winter points to the painting of their mother- “Today is the anniversary of her mother's death.”
Ursula tells Lucian that she was with their mother in the cellar the day she died. That must lead to the cellars. Ursula says, “She and father had been fighting. I knew this is where she came to escape, so I followed her. She was even more drunk than usual, screamed that she didn't want me anywhere near her, said that she never wanted me because I was a girl, that she could never love me. And in that moment, I felt such hatred. For her...And for you... Her firstborn son. Because you never had to fight for her love, but I knew I was better than you...better than all of you, and that my day would come. She couldn't find any more of her precious Chablis. I knew there was more in the cellar. She ordered me to fetch it. I told her to get it herself.”
Lucian says, “Mummy didn't fall down the stairs, did she?” Lucian goes to stand at the top of the stairs and Ursula pushes him down the stairs. Then she goes back to get a bottle to hit him with. The police meet her there.
Barnaby says to Ursula, “You were never going to leave Stourwick, were you, Ms. Shirewell? You realized that if you could secure your position as the legitimate heir, you wouldn't have to. But that meant eliminating all those who stood in your way. But this wasn't the first time you'd used murder as a solution, was it? Your mother didn't die in a tragic accident. She was pushed to her death by you. Your father died of natural causes, but Jordana Linsbury's death was at your hands.” Ursula says, “I knew she'd stop at nothing to be mistress of Stourwick. She messaged me in a panic, said she was being stalked. I went to the yurt, but she wasn't there. That's when I found the pregnancy test.”
Barnaby says, “So you had to act fast. But that was your first mistake. There was no baby. She faked it, Ms. Shirewell. Jordana Linsbury was unable to have children.” Ursula says, “I had to make painful decisions for the greater good, to save Stourwick, the estate, our family legacy.
(Flashback: Ursula dragging a hose to the yurt and pushing it under the side. “Lucian was firing the kiln that night. I knew Jordana would be alone. There was a time, years ago now, when the extractor failed at the studio. Lucian almost died. That's how I knew how toxic those gases could be. I thought it would be peaceful, that she'd never wake up. I didn't want her to suffer...but she did.” Jordana comes out the yurt gasping and coughing. She crawls across the grass. She pulls on the wire on the totem pole and it falls and hits her on the head.) Ursula continues, “When I saw Caleb walk across the lawn, I thought he'd find her, but something in the trees distracted him.” Barnaby says, “Giving you time to retrieve the hose and dispose of it in the river.” Ursula sighs, “I thought it would get swept away, but I was unlucky. Things hadn't gone to plan. I'd forgotten my gloves in the panic, left my fingerprints all over it.”
Barnaby says, “Next on your list was your brother Francis…. Ursula says, “Francis was a criminal and a liar, planning to betray me and our family name.” She and Francis had agreed to fight Lucian's succession together, but then she discovered that if Francis won control, he intended to sell. Ursula couldn't allow that. (Flashback: Mozart's "Requiem in D Minor" playing. Ursula creeps up behind Francis and slips the wire around his neck. “Francis always drank heavily after a row with Davina. I just had to watch and wait. I knew a lifetime of self-indulgence had left him weak. Years in the garden had made me strong. I knew I could overpower him.) Barnaby says, “But your brother didn't die of suffocation, did he? You went out of your way to humiliate him in death." Ursulas says, "Just as he humiliated me in life. Poor, pathetic Ursula. She'll never notice. She won't mind. But I did notice and I did mind. This was my way of showing it. (Flashback: She arranges the mask on Francis’ face and pushes the knife through his eye using a hammer to smack it through.)
Barnaby says, “You knew your method of killing would point the finger at Lucian. You stole tools from his studio and then disposed of the wire cutters where you knew they'd easily be found. But then you came across an unexpected obstacle...Caleb Blundell.” Ursula says, “I didn't want to hurt him. He'd done nothing wrong. But when Lila told me he was Lucian's son, I had no choice. I wore Lucien's suit as a disguise. (Flashback: Caleb screaming) And to implicate him.”
Ursula asks for a moment in the rose garden. She tells the detectives that “Love can make us do terrible things, Inspector. It was my moral obligation to protect my home and my child. The only man I ever loved and who loved me in return was taken from me, my darling Gideon. When my father forced me to give him up, I discovered I was pregnant. I managed to keep it a secret, and then she came early, out here in the moonlight. I loved her so much. She didn't survive. (Ursula sobbing) I buried her here...beneath the roses, my Rosa Mystica. My darling, hidden, little rose. And I've cared for her ever since. How could I ever leave her?” She picks a rose.
After being tended to by paramedics, with an arm in a sling, Lucian comes over to Ursula. He says, “We've both felt the agony of unbearable loss, the appalling damage that causes, the people it's turned us into. You have to go, but I've decided to stay. I'll look after her now.” Ursula gives Lucian the rose and then is escorted to the police car.
Winter says, “I never thought I'd feel sorry for her after everything she's done.” Barnaby says, “She could never abandon her daughter. She would do anything to keep her safe. You'll know what that feels like one day, Winter.”
At home, Barnaby comes in and sees Betty in her Elizabeth costume dancing with Sarah. They bow to each other. Paddy, wearing a ruff, barks. Barnaby says, “Oh, it seems I underestimated your sewing skills.” Sarah says, “Okay, okay. I got it online. But at least I tried. You're in charge of costumes next time.” Barnaby says, “Well, I think you look splendid, Betty, very regal.” Betty bows, “Thank you, Daddy.” Paddy barks.
Barnaby says, “Yes, and you look very nice too, Paddy, quite the dandy. This is clearly what he's been asking for all these years...a ruff, a ruff-ruff-ruff-ruff.”
Cast[]
- Neil Dudgeon as DCI John Barnaby
- Nick Hendrix as DS Jamie Winter
- Fiona Dolman as Sarah Barnaby
- Isabel Shaw as Betty Barnaby
- Annette Badland as Fleur Perkins
- Peter Serafinowicz as Lucian Shirewell
- Alex Macqueen as Francis Shirewell
- Agni Scott as Davina Shirewell
- Sarah Woodward as Ursula Shirewell
- Verity Marshall as Jordana Linsbury
- Charles Dale as Gideon Blundell
- Ginny Holder as Lila Blundell
- Joshua Griffin as Caleb Blundell
- Jade Harrison as Sadie Rowcroft
- Miya James as Sorrel Watkins
- Patrick Pearson as Justin Inkerman
Galleries[]
Galleries[]
Body Count[]
Prior to the Episode
In this episode
Gassed and then when she went outside and fell, she tried to pull herself up with a totem pole guide wire, which fell and hit her in the head.
Strangled with clay wire and then a mask put over his face and a knife pushed through his left eye.
Pushed into the kiln, locked in and temperature raised.
Supporting Cast[]
Elder brother and Heir
The elder sister
Episode Images[]
Arrests[]
- Ursula Shirewell for the murders of
- Sadie Rowcroft for stalking and harassment
Notes[]
- Whelk and periwinkle stew: Periwinkles are herbivorous snails that graze on algae growing on rocks and seaweed. Whelks are larger, heavier, carnivorous snails.
- Barnaby can relate to Ursula's pain at losing a child since he and Sarah couldn't find Betty.
Trivia[]
The Trials and Tribulations of Jamie Winter:
- Has to share the car with Barnaby after he's had the Whelk and Periwinkle stew.
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